LAS VEGAS, APRIL 13, 2016mRes™
This unique, uncompressed recording architecture allows mRes to provide various file formats without any loss of quality or signal degradation. This is due to the fact that each copy is created from the original uncompressed file. For any given production, the various departments often require different codecs, wrappers and resolutions. When using mRes, a production team now has access to the content they need, in any of the required compression formats, instantaneously.
mRes is controlled by Pronology’s new clip controller application, which allows the encoder to be operated with a simple-to-deploy, easy-to-use standalone control application. mRes integrates with most storage systems, such as Avid® ISIS and Small Tree. It also integrates with various NLE systems, including Avid®, Apple® and Adobe® Premiere® Pro CC, supporting growing clips for Edit-While-Capture workflows.
mRes was most recently used at the 88th Annual OSCARS®, the 21st Annual Critics’ Choice Awards, FOX’s Grease: Live! as well as the 2016 MTV Movie Awards. “The flexibility of mRes allows for the concurrent acquisition of media in different codecs, such as DNxHD, ProRes, XDCam and AVC-Intra, with various wrappers at most frame rates,” adds Aroesty. “We are looking forward to launching the mRes solution at this year’s NAB and speaking one-on-one with customers about these advanced features and more.”
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D. Pagan Communications, Inc.
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